home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
TIME: Almanac 1995
/
TIME Almanac 1995.iso
/
time
/
031593
/
0315440.000
< prev
next >
Wrap
Text File
|
1994-03-25
|
4KB
|
92 lines
<text id=93TT1150>
<title>
Mar. 15, 1993: Taking the Bad Rap
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Mar. 15, 1993 In the Name of God
</history>
<article>
<source>Time Magazine</source>
<hdr>
MUSIC, Page 63
Taking the Bad Rap
</hdr>
<body>
<p>While most record labels are shunning controversial rap singers,
at least one company is making them a priority
</p>
<p>By THOMAS MCCARROLL--With reporting by Patrick E. Cole/Los
Angeles
</p>
<p> This is the bitch that did the whole crew.
</p>
<p> She did it so much we made bets on who the ho would love to
</p>
<p> go through...
</p>
<p> And she lets you videotape her
</p>
<p> And if you got a gang of niggers the bitch'll let you rape
her.
</p>
<p> When most people hear lyrics like these from the hit song
One Less Bitch by the rap group N.W.A., they either blush,
cringe or call for the censor. But when Bryan Turner hears the
song, he can almost hear the cash register ringing. Turner, 36,
is co-founder of Priority Records, the label that has carried
N.W.A. (Niggers with Attitude) and other "gangsta" rappers.
Formed eight years ago, Priority has built a financial fortune
and a reputation as the music industry's House of Raunchy Rap.
</p>
<p> At a time when many record labels are shying away from
controversial performers, Priority is eagerly pursuing what
some regard as the most foulmouthed, misogynistic and incendiary
rap groups in the hood. Its growing stable of raucous rappers
range from the explosive Ice Cube, who provoked public outrage
nearly two years ago with songs that called for the killing of
a white Jewish businessman and threatened arson against Korean
grocers, to the dreaded Dr. Dre, whose lyrics have also
advocated violence. Last month the Los Angeles-based firm added
to its own notoriety by signing up the bad boy of rap, Ice-T,
after he and Time Warner's Sire label severed their ties. His
inflammatory cut Cop Killer set off a fire storm of protests by
police organizations.
</p>
<p> Turner and his co-partner, Mark Cerami, have discovered
that if you're willing to ignore the heat, controversy
translates into cash. Billboard has crowned Priority the
industry's "hottest independent label." Priority's dozen rap
artists have mined a rich vein of sales, including 13 gold
records, 12 platinum and two double-platinum albums. Ice Cube's
latest hit, The Predator, entered Billboard's pop and R.-and-B.
charts in the No. 1 slots, the first time a rap album debuted at
the top of both charts. From a bare-bones crew of three
operating out of a tiny Hollywood office, Priority has grown
into a $53 million enterprise with pretax profit margins of up
to 20%.
</p>
<p> But the real secret of Priority's success may be the bad
publicity. Protests by Jewish and Korean groups, for instance,
helped ignite sales of Ice Cube's 1991 album, Death
Certificate. It sold 1 million copies within 10 days of its
release. Unlike large record labels, which are often part of
bigger conglomerates with a medley of interests, small outfits
like Priority tend to be less vulnerable to pressure tactics.
</p>
<p> Wrapping himself in the flag and the First Amendment,
Turner adamantly refuses to censor his rappers. Says he: "Where
do I get off telling people what they can say?" Actually, even
Turner has his limits. He refused to publish a rap group whose
songs advocate gang violence. Still, he leaps at the chance to
sign up other controversial acts. Now, having conquered the rap
world, Turner says he is ready for his next foray--into
hard-rock music--which may be fertile ground for an infusion
of controversy.
</p>
</body>
</article>
</text>